Krysti Joméi

BACKCOVER_SkullChug_BriannaCorn

Skull Chug by Brianna Corn

Skull Chug By Brianna Corn Back Cover Issue 104, August 2022, Best of Birdy Published Issue 055, July 2018 Brianna Corn is an ambitious graphic designer, art director, type designer, photographer,  web designer and a plant mom. Working as a designer and art director, she has had the chance to take a deep dive into all facets

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End of Line by Dave Danzara aka Lost In Time Designs

End of Line by Dave Danzara

End of Line By Dave Danzara aka Lost In Time Designs Published Issue 104, August 2022 Dave Danzara has spent most of his life creating art. Born and raised in California, Dave won a scholarship to Laguna Art Institute of Southern California in 1994. His influences can be found in pop culture, sci-fi, fantasy, film

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GreggDeal_Textile-Series-No.-3_RedLine Presents: The End of Silence — A Punk Survey

RedLine Presents: End of Silence — A Punk Survey by Gregg Deal

The End of Silence: A Punk Survey at RedLine Gallery By Gregg Deal Published Issue 104, August 2022 The ethos of Punk parallels the ethos of Indigenous people so profoundly that its resonance with Native people should be obvious.  Disenfranchisement, pushing against power structures that restrict, oppress or suppress, questioning and challenging authority are coupled

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Art-By-Ali-Hoff

Art by Ali Hoff

Art by Ali Hoff Published Issue 104, August 2022 Ali Hoff is UK-based freelance concept artist and 3D Modeller who creates strange otherly worlds, scapes, characters and more and the creator of Totem Earth. See more of his work on Instagram. Check out Ali’s last Birdy published piece, Lend Me Your Eyes and Let The Hunt

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Woman-of-Light-by-Kali-Farjardo-Anstine-(2022)_Book Club August 2022 by Hana Zittel

Book Club August 2022 by Hana Zittel

Book Club By Hana Zittel Published Issue 104, August 2022 Woman of Light by Kali Farjardo-Anstine (2022) “Before, when they had lived in the Lost Territory, she was surrounded by mountains from Huerfano to Trinidad and all the mining camps in between. The mountains were permanent yet shifting, ancient though young, their white peaks reminding

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